Egypt, 48-47 B.C. Cleopatra wants to remove her brother Tolomeo from the thrown to become the sole rule of Egypt. To succeed with her plan she seduces Giulio Cesare. They fall in love but will their plan be victorious?
Cesare, in pursuit of his enemy Pompeo, has followed him to Egypt. Pompeo's wife Cornelia pleads with Cesare to spare her husband. He is about to grant her plea, when the Egyptians led by their boy king Tolomeo bring him the head of Pompeo. Cornelia and Pompeo's son Sesto vow to avenge his death.
Tolomeo's sister Cleopatra desires to depose her brother in order to become the sole ruler of Egypt. She joins Cornelia and Sesto in their plans for vengeance and entreats Cesare to aid her.
Following her overtures, Cesare falls in love with Cleopatra. Her brother attempts to assassinate Cesare, but he escapes. It is reported to Cleopatra that Cesare has drowned while in flight. She is taken captive by her brother. Cesare, who has escaped drowning, enters to free his beloved. Tolomeo is slain by Sesto, because he forced himself upon Cornelia against her will. Cesare makes Cleopatra Queen of Egypt and returns to Rome.
"Julius Caesar in Egypt"
Opera in 3 acts
Sung in Italian
About 3 hours 40 min + intervals
Egypt, 48-47 B.C
As with most of his other operas, Handel made several revisions to the score of Giulio Cesare for revivals, adding new arias and cutting others. The listing of arias in this synopsis applies to the original 1724 version.
After the overture, the entire cast, except Giulio Cesare, gathers on stage for the opening chorus. (Chorus: Viva, viva il nostro Alcide). Giulio Cesare and his victorious troops arrive on the banks of the River Nile after defeating Pompeo's forces. (Aria: Presti omai l'Egizia terra). Pompeo's second wife, Cornelia, begs for mercy for her husband's life. Cesare agrees, but on the condition that Pompeo must see him in person. Achilla, the leader of the Egyptian army, presents Cesare with a casket containing Pompeo's head. It is a token of support from Tolomeo, the co-ruler of Egypt (together with Cleopatra, his sister). Cornelia faints, and Cesare is furious about Tolomeo's cruelty. (Aria: Empio, dirò, tu sei). Cesare's assistant, Curio, offers to avenge Cornelia, hoping that she will fall for him and marry him. Cornelia rejects the offer in grief, saying that another death would not relieve her pain. (Aria: Priva, son d'ogni conforto). Sesto, son of Cornelia and Pompeo, swears to take revenge for his father's death. (Aria: Svegliatevi nel core). Cleopatra decides to use her charm to seduce Cesare. (Aria: Non disperar, chi sà?) Achilla brings the news to Tolomeo that Cesare was furious over the murder of Pompeo. Tolomeo swears to kill Cesare to protect his rule of the kingdom. (Aria: L'empio, sleale, indegno). Cleopatra (in disguise) goes to meet Cesare in his camp hoping that he will support her as the queen of Egypt. Cesare is amazed by her beauty. (Aria: Non è si vago e bello). Nireno notes that the seduction was successful. (Aria: Tutto può donna vezzosa). Meanwhile, Cornelia continues to mourn the loss of her husband. (Arioso: Nel tuo seno, amico sasso). Cornelia prepares to kill Tolomeo to avenge Pompeo's death, but is stopped by Sesto, who promises to do it instead. Cesare, Cornelia and Sesto go to the Egyptian palace to meet Tolomeo. (Aria: Cara speme, questo core). Cleopatra now believes that as she has turned Cesare, Cornelia and Sesto against Tolomeo successfully, the scales are tipped in her favour. (Aria: Tu la mia stella sei). Cesare meets Tolomeo, who offers him a room in the royal apartments, though Cesare tells Curio that he expects Tolomeo to betray him. (Aria: Va tacito e nascosto). Tolomeo is fascinated by Cornelia's beauty but has promised Achilla that he could have her. (Aria: Tu sei il cor di questo core). Sesto attempts to challenge Tolomeo, but is unsuccessful. When Cornelia rejects Achilla, he orders the soldiers to arrest Sesto. (Duet: Son nata a lagrimar).
In Cleopatra's palace, while in disguise as "Lidia", she uses her charms to seduce Cesare. (Aria: V'adoro, pupille). She sings praises of Cupid's darts and Cesare is delighted. Cesare is smitten with Cleopatra, and Nireno tells Cesare that "Lidia" is waiting for him. (Aria: Se in fiorito ameno prato). In Tolomeo's palace, Cornelia laments her fate. (Arioso: Deh piangete, oh mesti lumi). Achilla pleads with Cornelia to accept him, but she rejects him. (Aria: Se a me non sei crudele) When he leaves, Tolomeo also tries to win her, but is also rejected. (Aria: Sì spietata, il tuo rigore). Thinking that there is no hope, Cornelia tries to take her own life, but is stopped by Sesto, who is escorted by Nireno. Nireno reveals the bad news that Tolomeo has given orders for Cornelia to be sent to his harem. However, Nireno also comes up with a plan to sneak Sesto into the harem together with Cornelia, so Sesto can kill Tolomeo when he is alone and unarmed. (Aria: Cessa omai di sospirare). Sesto enters the garden of the palace, wishing to fight Tolomeo for killing his father. (Aria: L'angue offeso mai riposa). Meanwhile, Cleopatra waits for Cesare to arrive in her palace. (Aria: Venere bella). Still smitten with her, Cesare arrives in Cleopatra's palace. However, Curio suddenly bursts in and warns Cesare that he has been betrayed, and enemies are approaching Cesare's chambers and chanting "Death to Cesare". Cleopatra reveals her identity and after hearing the enemies heading for them, asks Cesare to flee, but he decides to fight. (Aria: Al lampo dell'armi). (Chorus: Morà, Cesare morà). Cleopatra, having fallen in love with Cesare, begs the gods to bless him. (Aria: Se pietà di me non senti). In Tolomeo's palace, Tolomeo prepares to enter his harem. (Arioso: Belle dee di questo core). As Tolomeo tries to seduce Cornelia, Sesto rushes in to kill Tolomeo, but is stopped by Achilla. Achilla announces that Cesare (in the attempt to run from soldiers) has jumped from the palace window and died. Achilla asks again for Cornelia's hand in marriage but is turned down by Tolomeo. Furious, Achilla leaves. Sesto feels devastated and attempts to kill himself but is prevented from doing so by his mother; he repeats his vow to kill Tolomeo. (Aria: L'aure che spira).
Furious at Tolomeo for being ungrateful to him despite his loyalty, Achilla plans to defect to Cleopatra's side (Aria: Dal fulgor di questa spada), but Tolomeo stabs him before he does. As battle rings out between Tolomeo's and Cleopatra's armies, Tolomeo celebrates his apparent victory against Cleopatra (Aria: Domerò la tua fierezza). Cleopatra laments losing both the battle and Cesare (Aria: Piangerò la sorte mia). However, Cesare is not dead: he survived his leap and is roaming the desert in search of his troops (Aria: Aure, deh, per pietà). While looking for Tolomeo, Sesto finds the wounded, nearly dead Achilla, who hands Sesto a seal authorizing him to command his armies. Cesare appears and demands the seal, promising that he will either save both Cornelia and Cleopatra or die (Aria: Quel torrente, che cade dal monte). With Cesare alive and Achilla dead, Sesto's spirits lift, and he vows to fight on (Aria: La giustizia ha già sull'arco). Cesare continues on to Cleopatra's camp, where a lamenting Cleopatra is overjoyed to see him. (Aria: Da tempeste il legno infranto). In the palace, Sesto finds Tolomeo trying to rape Cornelia and kills him. Having successfully avenged Pompeo, Cornelia and Sesto celebrate Tolomeo's death. (Aria: Non ha più che temere). The victorious Cesare and Cleopatra enter Alexandria, and Cesare proclaims Cleopatra to be queen of Egypt and promises his support to her and her country. They declare their love for each other (Duet: Caro! Bella! Più amabile beltà). Cesare then proclaims Egypt's liberation from tyranny, and wishes for the glory of Rome to spread far and wide. For the final chorus, the entire cast (including the dead Achilla and Tolomeo) gathers on stage to celebrate the power of love and the triumph of good over evil (Chorus: Ritorni omai nel nostro core).
Giulio Cesare – Mezzo-soprano/Countertenor
Emperor of Rome
Cleopatra – Soprano (dramatic coloratura)
Queen of Egypt
Tolomeo – Countertenor/Mezzo-soprano
Cleopatra's brother, King of Egypt
Cornelia – Contralto
Widow of Pompey
Sesto – Soprano/Mezzo-soprano/Countertenor (lyric coloratura)
Cornelia's stepson
Achilla – Bass
Tolomeo's General
Curio – Bass
A praetor, Caesar's General
Nireno – Countertenor/Mezzo-soprano
Cleopatra's and Tolomeo's servant
Place of birth: Halle, Germany
Place of death: London, England
BIOGRAPHY
George Frideric (or Frederick) Handel, born Georg Friederich Händel was a German, later British, Baroque composer who spent the bulk of his career in London, becoming well known for his operas, oratorios, anthems, concerti grossi and organ concertos. Handel received important training in Halle and worked as a composer in Hamburg and Italy before settling in London in 1712; he became a naturalised British subject in 1727. He was strongly influenced both by the great composers of the Italian Baroque and by the middle-German polyphonic choral tradition. He would become a huge influence on classical composers such as Mozart and Beethoven.
Within fifteen years, Handel had started three commercial opera companies to supply the English nobility with Italian opera. Musicologist Winton Dean writes that his operas show that "Handel was not only a great composer; he was a dramatic genius of the first order." As Alexander's Feast (1736) was well received, Handel made a transition to English choral works. After his success with Messiah (1742) he never composed an Italian opera again. Almost blind, and having lived in England for nearly fifty years, he died in 1759, a respected and rich man. His funeral was given full state honours, and he was buried in Westminster Abbey in London.
Handel is regarded as one of the greatest composers of the Baroque era, with works such as Messiah, Water Music, and Music for the Royal Fireworks remaining steadfastly popular. One of his four coronation anthems, Zadok the Priest (1727), composed for the coronation of George II, has been performed at every subsequent British coronation, traditionally during the sovereign's anointing. Another of his English oratorios, Solomon (1748), has also remained popular, with the Sinfonia that opens act 3 (known more commonly as "The Arrival of the Queen of Sheba") featuring at the 2012 London Olympics opening ceremony. Handel composed more than forty opera serias in over thirty years, and since the late 1960s, with the revival of baroque music and historically informed musical performance, interest in Handel's operas has grown.
COMPOSER'S QUOTE
“Learn all there is to learn, and then choose your own path.”
FUN FACTS
Händel was born the same year as Domenico Scarlatti and Johann Sebastian Bach.
His funeral was a state affair attended by more than 3000 people.
Most prominent operas
Agrippina 1709
Rinaldo 1711
Giulio Cesare 1724
Tamerlano 1724
Ariodante 1735
Alcina 1735
Serse 1738
The libretto was written by Nicola Francesco Haym based on a libretto by Giacomo Francesco Bussani.
Nicola Francesco Haym was an Italian opera librettist, composer, theatre manager and performer, literary editor and numismatist. He adapted texts into librettos for Händel's Giulio Cesare, Otton, Flavio, Tamerlano and Rodelinda among others.
Transverse flute, 2 alto recorders, 2 oboes, 2 bassoons
viola da gamba, harp, theorbo, strings, basso continuo
Chorus
Giulio Cesare premiered at the King's Theatre in the Haymarket, London, in 1724. The opera was an immediate success.
Aria – Priva son d'ogni conforto (Cornelia)
Aria – Svegliatevi nel core (Sesto)
Aria - L'empio, sleale, indegno (Tolomeo)
Aria – Cara speme (Sesto)
Aria - Va tacito (Giulio Cesare)
Duet – Son nata a lagrimar (Cornelia, Sesto)
Aria - V'adoro pupille (Cleopatra)
Aria – Se pietà di me non senti (Cleopatra)
Aria – Piangerò la sorte mia (Cleopatra)
Aria – Aure, deh, per pietà (Giulio Cesare)
Aria – Da tempeste (Cleopatra)